9.24.2011

Not As Great

Evening gang.


I've had an up and down weekend. Awesome night out last night with my better half, followed by seeing an amazing piece of real estate belonging to some dear friends, the kind of home you pray for an invitation to. After that, a surprisingly fun-filled trip to the grocer wherein we scrambled for ingredients for a slow-cooking black bean soup. Unfortunately  as soon as my better half finished prepping the slow cook I went for a run, wherein I found out I've been pushing my running too hard, having had an unpleasant knee condition come roaring back to life. I was good and pissed.  To distract (and exhaust) my mind from the frustration, I took in a session of hot yoga; at the end of the hour I was an imbecilic pool of sweat and loose muscles. I had a wonderful dinner with my better half and took in a doc with her. Unfortunately, the doc was a middling affair, but one that deserves a look regardless.


The doc I speak of is Morgan Spurlock's latest endeavor - Pom Wonderful Presents The Greatest Movie Ever Sold. It was, without question, an engaging and relevant film made by a charming and talented artist. Unfortunately, it was a movie that lacked any teeth or grand sense of purpose. Despite that flawed nature, I would still strongly recommend seeing the movie, if only to achieve greater understanding of the manner in which marketing impacts our lives.
To cite the example made in the doc itself, Spurlock's method of creation here is almost an Inception-level of meta-artistry - he sets about making a movie about how marketing and the demands of sponsors influences the creation of a movie while seeking sponsors and marketing for the same movie. The idea, while cheeky at first glance, is very insightful. It's quickly apparent that companies are not comfortable with the idea of the marketing machine being turned back upon itself. The desires and motivations of corporations are soon lain bare as CEO and Marketing Directors turn down their respective offers to be a part of Spurlock's latest outing. Their apprehension is understandable, given his past as a modern muckraker. Eventually, though, they acquiesce and sponsors line up to get their share of ultra-modern commercialism. This is the first movie I've ever seen where honest-to-goodness commercials actually appear in the film itself. It's an inherently bothersome concept that not only brings to light the horrible state of marketing but also furthers the evolution of the notion while bringing it to a wider audience.
Therein lies the rub, for this doc. Spurlock is such an entertaining filmmaker that one could easily make excuses for why this movie fails to deliver. It's a rare, honest glimpse into the industry; still, Spurlock pulls every damn punch possible. It's like watching him set up a fascinating, scathing doc and then saying "Well the sponsors thought I should tell more jokes". Yes, you say, but isn't that disconnect the whole point of the movie? Shouldn't we be digging farther into what drives us as a culture, or how mass marketing is quickly becoming a more ingrained, yet less acknowledged, part of our lives? What gives? Spurlock hides behind his concept as if it should excuse him from accountability. His jokes about selling out are a little too accurate, it seems. 
I know this sounds really negative and holier-than-thou. It shouldn't - I enjoyed the movie, regardless. He brought a lot of novel concepts to light and may potentially reach a wider audience by making this movie. Still, having thoroughly enjoyed his previous works, I was let down by The Greatest Movie Ever Sold. Spurlock is a whole lot easier to get on board with than Michael Moore. I'll say this - give this movie a chance, just to get a better sense of what we're up against every day and how it affects us. It may not be a game changer, but it is hands down more intelligent and engaging than your typical product-pushing blockbuster. Not a bad weekend day, but it could certainly have been better without these little quibbles and frustrations.