I promised you this week would not be all about zombie movies.
True to my word, tonight's Spooky Month post is going to be on one of the oldest standards of scary stories, the haunted hotel room. True to form, this iteration of the classic of the genre comes to us via a cinematic adaptation from a Stephen King short story (a form in which the much-covered author excels) starring John Cusack and Samuel L. Jackson. Tonight, we're looking at the surprisingly strong 1408.
This movie's origins can be traced back to the short story collection Everything's Eventual, one of King's more recent salvos in the literary world. Written after his infamous roadside accident, the brief tale is an example of what he does best. It's succinct and to the point, a tale that gets in, gives you the willies, suggests worse things on the horizon and gets out before getting too long winded. A modern take on the old 'strange things happening in a hotel room' story, King paints a truly creepy portrait of a corner of the world that is just 'wrong' enough, just slightly off to the point that he hits all of our subconscious alarms. Reading it the first time gave me the creeps in a major way. Given his track record with TV and film adaptations of his work, though, I had justifiable trepidation over what would happen when I found out 1408 was optioned for development. To my surprise and delight, it's actually pretty damn good.
1408 is a sneaky little trickster of a horror movie. It lulls you in with trusted faces and a warm, golden-tinted cinematography that, together, lull you into a false sense of security. Soon enough, the tale of a 'haunted-attractions writer stumbles upon the real deal' stops pulling the punches and starts hitting you with legitimately scary things. Fresh takes on apparitions and psychic-imprints/haunting. Fake outs that swerve dangerously back and forth to total treachery. Tricks of the mind that make the protagonist and viewer question what they've seen. I love the idea of not just an evil presence, but an entire room being the source of trouble - the way it haunts people beyond it is ingeniously devilish. Getting cancers and terminal illnesses, years after setting foot in a forbidden room? Dastardly paranoia fuel. All of this adds up to a finale that was, to verge into hyperbole, absolutely devastating. Mostly for the protagonist, but as a viewer, man it was a crushing blow.
If you're looking for a good old scare in the classic sense using modern sensibility, look no further than 1408. Cusack is a one man show in the best sense. Sam Jackson is solid as always. The effects are well done and not distracting in the least. It's freaky, it's creepy and it's a crazy ride. Check it out, if you want to get the creeps in hotels. As if they weren't creepy enough, already.
True to my word, tonight's Spooky Month post is going to be on one of the oldest standards of scary stories, the haunted hotel room. True to form, this iteration of the classic of the genre comes to us via a cinematic adaptation from a Stephen King short story (a form in which the much-covered author excels) starring John Cusack and Samuel L. Jackson. Tonight, we're looking at the surprisingly strong 1408.
This movie's origins can be traced back to the short story collection Everything's Eventual, one of King's more recent salvos in the literary world. Written after his infamous roadside accident, the brief tale is an example of what he does best. It's succinct and to the point, a tale that gets in, gives you the willies, suggests worse things on the horizon and gets out before getting too long winded. A modern take on the old 'strange things happening in a hotel room' story, King paints a truly creepy portrait of a corner of the world that is just 'wrong' enough, just slightly off to the point that he hits all of our subconscious alarms. Reading it the first time gave me the creeps in a major way. Given his track record with TV and film adaptations of his work, though, I had justifiable trepidation over what would happen when I found out 1408 was optioned for development. To my surprise and delight, it's actually pretty damn good.
1408 is a sneaky little trickster of a horror movie. It lulls you in with trusted faces and a warm, golden-tinted cinematography that, together, lull you into a false sense of security. Soon enough, the tale of a 'haunted-attractions writer stumbles upon the real deal' stops pulling the punches and starts hitting you with legitimately scary things. Fresh takes on apparitions and psychic-imprints/haunting. Fake outs that swerve dangerously back and forth to total treachery. Tricks of the mind that make the protagonist and viewer question what they've seen. I love the idea of not just an evil presence, but an entire room being the source of trouble - the way it haunts people beyond it is ingeniously devilish. Getting cancers and terminal illnesses, years after setting foot in a forbidden room? Dastardly paranoia fuel. All of this adds up to a finale that was, to verge into hyperbole, absolutely devastating. Mostly for the protagonist, but as a viewer, man it was a crushing blow.
If you're looking for a good old scare in the classic sense using modern sensibility, look no further than 1408. Cusack is a one man show in the best sense. Sam Jackson is solid as always. The effects are well done and not distracting in the least. It's freaky, it's creepy and it's a crazy ride. Check it out, if you want to get the creeps in hotels. As if they weren't creepy enough, already.