Spooky Friday nights!
As I wrote in the piece about South Park and my Halloween indulgences, a yearly viewing of The Simpsons collected Treehouse of Horrors is a tradition in my household. About halfway through October my better half and I will exchange a look and simply say "Treehouse?" Thus begins the marathon of the only spooky stuff she will endure with me, and that's really only because it stems from the Gospel of The Simpsons. It is the ultimate signifier of the season for me. Treehouse of Horror marathon? Halloween is close. Only a matter of days until I end up watching Night of the Living Dead after coming home from a completely overwhelming party.
We both grew up on The Simpsons, watching it evolve from the embryonic phenomenon it was to the cultural institution it is today. One of the first times we ever hung out together, we bonded over a shared love and appreciation of the early seasons - me, being amazed by a girl who got and loved all the jokes, her, a girl way too cool for me and wiling to suffer my boyish enthusiasm. Our shared viewing habits became a bonding thing for the distance we had as a long distance couple. We'd start a DVD at the same time and watch an episode together on the phone, then say good night knowing we were partaking in the same animated lullabies.
The Treehouse of Horror series were always a special thing for both of us. We both had memories of watching the annual trilogy of terror before trick-or-treating. They were these strange, twisted takes on the world we had come to know and trust as kids. The older I got, the more I loved the freaky takes on the Simpsons universe. Every Halloween as I got older the specials would come into syndication in increasing frequency; more specials were backlogged to be played out on the local channels. I was in heaven. Along with the proliferation of DVDs came the ability to instantly gratify viewing demands - we're spoiled by this now, but at the time it was revelatory. So if I wanted to watch all the Treehouse of Horror episodes back to back, I could.
Having done this, I quickly figured out that my favorite of the older canon of ToH episodes was also one of the darkest. Treehouse of Horror IV is, in my humble opinion, the darkest and most funny installment in the series. From here on out it felt like it was a matter of diminishing returns. Considering that there are some 16+ installments after this, that's quite the damning statement. I don't mean to impugn the show to that extent; conversely I feel that this episode serves as a high water mark for the series, especially for the Halloween specials. Par example - 'The Devil & Homer Simpson' sees Homer subjected to his personal Hell, courtesy of Ned Flanders. 'Terror At 5½ Feet' retells one of the greatest paranoid tales from the original run of The Twilight Zone. 'Bart Simpson's Dracula' is pure Hammer horror, all, mood and dark substance, only broken by the briefest bits of levity.
There's some genuine elements of horror in this installment. Homer's trip through Hell is visceral and bleak, despite the well known gag of his infinite appetite. Bonus points for the Jury of the Damned - Nixon, Lizzie Borden, Benedict Arnold, John Wilkes Booth and the starting lineup of the 1976 Phillie Flyers. Bart's ordeal with a Gremlin (not that kind) on a school bus is the sneakiest bit of paranoia fuel, where as a child watching it for the first time (unaware of the Shatneriffic origins) I was terrified of his inescapable situation. His unraveling is effectively disturbing for a cartoon, espically during prime-time TV in the early 90s. The Dracula tale is a bit rote, but the ending, with its inescapability and subtle twist of villians, is spooky, haunting stuff. It gave me the willies as a kid. Now I just marvel at the effective atmosphere and vibe put off by what is (and was) the most entertaining and hysterical show on TV.
That subtle mix of horror and humour is what makes this installment of Treehouse of Horror so engaging. The framing device, which was soon dropped, has nothing to do with it other than introducing the pieces. But even those small bits of writing (inspired by Rod Serling's Night Gallery) are scary and funny. All of the most beloved horror media in the last decades have that mix of humor and horror - Shaun of the Dead, Ghostbusters, what have you. If you don't dig the Simpsons, what's your problem, seriously? If you do, congratulations on being a person. Hopefully this episode can add to your Spooky Month delights.
As I wrote in the piece about South Park and my Halloween indulgences, a yearly viewing of The Simpsons collected Treehouse of Horrors is a tradition in my household. About halfway through October my better half and I will exchange a look and simply say "Treehouse?" Thus begins the marathon of the only spooky stuff she will endure with me, and that's really only because it stems from the Gospel of The Simpsons. It is the ultimate signifier of the season for me. Treehouse of Horror marathon? Halloween is close. Only a matter of days until I end up watching Night of the Living Dead after coming home from a completely overwhelming party.
We both grew up on The Simpsons, watching it evolve from the embryonic phenomenon it was to the cultural institution it is today. One of the first times we ever hung out together, we bonded over a shared love and appreciation of the early seasons - me, being amazed by a girl who got and loved all the jokes, her, a girl way too cool for me and wiling to suffer my boyish enthusiasm. Our shared viewing habits became a bonding thing for the distance we had as a long distance couple. We'd start a DVD at the same time and watch an episode together on the phone, then say good night knowing we were partaking in the same animated lullabies.
The Treehouse of Horror series were always a special thing for both of us. We both had memories of watching the annual trilogy of terror before trick-or-treating. They were these strange, twisted takes on the world we had come to know and trust as kids. The older I got, the more I loved the freaky takes on the Simpsons universe. Every Halloween as I got older the specials would come into syndication in increasing frequency; more specials were backlogged to be played out on the local channels. I was in heaven. Along with the proliferation of DVDs came the ability to instantly gratify viewing demands - we're spoiled by this now, but at the time it was revelatory. So if I wanted to watch all the Treehouse of Horror episodes back to back, I could.
Having done this, I quickly figured out that my favorite of the older canon of ToH episodes was also one of the darkest. Treehouse of Horror IV is, in my humble opinion, the darkest and most funny installment in the series. From here on out it felt like it was a matter of diminishing returns. Considering that there are some 16+ installments after this, that's quite the damning statement. I don't mean to impugn the show to that extent; conversely I feel that this episode serves as a high water mark for the series, especially for the Halloween specials. Par example - 'The Devil & Homer Simpson' sees Homer subjected to his personal Hell, courtesy of Ned Flanders. 'Terror At 5½ Feet' retells one of the greatest paranoid tales from the original run of The Twilight Zone. 'Bart Simpson's Dracula' is pure Hammer horror, all, mood and dark substance, only broken by the briefest bits of levity.
There's some genuine elements of horror in this installment. Homer's trip through Hell is visceral and bleak, despite the well known gag of his infinite appetite. Bonus points for the Jury of the Damned - Nixon, Lizzie Borden, Benedict Arnold, John Wilkes Booth and the starting lineup of the 1976 Phillie Flyers. Bart's ordeal with a Gremlin (not that kind) on a school bus is the sneakiest bit of paranoia fuel, where as a child watching it for the first time (unaware of the Shatneriffic origins) I was terrified of his inescapable situation. His unraveling is effectively disturbing for a cartoon, espically during prime-time TV in the early 90s. The Dracula tale is a bit rote, but the ending, with its inescapability and subtle twist of villians, is spooky, haunting stuff. It gave me the willies as a kid. Now I just marvel at the effective atmosphere and vibe put off by what is (and was) the most entertaining and hysterical show on TV.
That subtle mix of horror and humour is what makes this installment of Treehouse of Horror so engaging. The framing device, which was soon dropped, has nothing to do with it other than introducing the pieces. But even those small bits of writing (inspired by Rod Serling's Night Gallery) are scary and funny. All of the most beloved horror media in the last decades have that mix of humor and horror - Shaun of the Dead, Ghostbusters, what have you. If you don't dig the Simpsons, what's your problem, seriously? If you do, congratulations on being a person. Hopefully this episode can add to your Spooky Month delights.