Still Alive

Hey kids!

I remember when I would do this every single day. Man, those were good times.

So it's been a few weeks since I posted anything here, and I've noticed a couple things. One - people still visit. That is amazing. Thank you. Things will pick back up, I promise. 

Two - I've been hearing from people, not just online, but actual people, that they read this site and enjoy it. That is even more amazing. To hear from flesh and blood folk, not just text on a page, is so validating.

Three - I've enjoyed my life a little more without the constant deadline hanging over my head. While it's a sheepish admission, that is also amazing. 

So how do these things tie together? Easy. I'm going to get back into the groove. It's going to be a little less frequent, just so I can refill the mental well from which I spew. It's also going to shift in focus. There's only so much fantastic material with which I'm familiar that I can write about. I would either start writing about things I knew too little or cared to little to justify the words. That would have felt false. 

So nuts to that! Let's get back to it! I'm gonna start getting weird with it, take this place to strange new places. Maybe write about some personal, embarrassing things. I'm cool with it. It's easier for me to write about embarrassing things than it is to tell people face to face. That doesn't mean I won't make emphatic recommendations, anymore, though. I've still got things I want to tell the world about. 

I've made my way through a couple books, saw a handful of movies, worked through a shamefully out of date backlog of videogames. I've been sleeping better and even running in the winter. I've been cookning crazy meals with my better half, including a mega-meal with the very friends who inspired me to do this in the first place. It was a blast to do so, especially to compare and contrast where I was a year ago versus our shared impressions of how it turned out. 

So.

Stay tuned.

Stuff's coming.

Year End

...and with that, we draw to a close.


It's been one insane year. I don't know about you, but I am about to start getting duded up for a costume party. Lots to do and miles to go, etc. I've really enjoyed writing for this site every day (or as often as possible, as the occasion would permit). Sometimes it has been a snap, when coming up with ideas. Other times I've had to push myself to get an idea out there. One little trick has been to keep a running list of things I want to cover and write about, in case the well ran dry or inspiration never struck. As a result, there have been some things I've wanted to do longer posts on but have never been able to fit in to the schedule. So rather than force a bunch of half-hearted ideas and arbitrary posts, I thought I'd just run through them all in one shot, to show what could have been. 


In no particular order, here are the ideas and things I wanted to write about and will be culling from the year's to-do file:


The Goonies - I wrote about the soundtrack, but never mustered the wherewithal to really dig into why I love this childhood staple so much. Still a favorite of mine, all these years later.


Despicable Me - Super fun and overlooked. An adorable, surprisingly funny movie with Steve Carrell and Jason Segel providing voice work. Mad scientists doing wacky stuff.


Ectopiary - A crazy, long running web comic that only gets better and better. Free and not for the faint of heart.


The Elephant Vanishes - A great collection of short stories by one of my favorite authors. Simply too overwhelming to attempt to unpack the myriad of ideas put forth.


Bioshock - This amazing game got me into the modern era of videogames after holding out for about five years. Astounding and groundbreaking in every way. A must play, if you missed it (like I did).


Earthbound - My favorite old school SNES game. The internet already had enough articles about this quirky and idiosyncratic masterpiece.


Lunds Sandwich - No joke. Didn't want to be another food blogger, but this thing had turkey, cranberry mayo, swiss and bacon on cinnamon bread. I was in heaven every time I had it. 


That about does it for 2011. It's been phenomenal for me. Thank you so much for reading. I'll see you on the other side. Happy New Year!

Box Out

These things have a way of bleeding into each other. 


It's been a fun weekend. As much as I enjoy parties, especially holiday ones with special drinks, I had just as much fun doing errands with my better half. Somehow we always get lost in Target and end up wandering around looking for something we've passed. It's like a casino in there - shiny stuff everywhere, tons of other weirdos and no clocks or visible exits. As I write this, the melted snow and ice are slowly re-freezing. I'm not looking forward to the drive tomorrow. It's nice and dark and quiet here. It makes me want to go and re-experience Outside the Box. 

Outside the Box is one of my favorite not-so-secret things on the internet. An online flash comic (wait, please stay with me for this) created by Brendan Cahill, Outside the Box is a great way to spend a quiet night. Cahill, hailing from San Francisco  created the strip/site/flashthing back in 2002, with the first run closing out in 2004. A one shot and second run followed in the ensuing years. It's not a strict re-paneling like some of Marvel's online content, or single page, three panel affairs like Penny Arcade or The Oatmeal. Box is a moving, vibrant noir tale that just has this unassuming but totally surprising edge to it. 


Telling the tale of office drone Jamie Black as he gets caught up in the world of private detectives and mobsters and the recently deceased, Box is a solid story told in an original format. It could work as a traditional format, but the way Cahill took advantage of the limited movement gives a whole added layer of context and storytelling to this mystery. Subtle tricks like shadows moving or showing characters moving through blueprints add a cinematic aspect that would otherwise be lost on a conventional comic. Through the novel medium, we see Black slowly separate from his office job as he gets pulled deeper and deeper into the mystery unfolding around him.

A nice touch on Cahill's part was the inclusion of suggested soundtracks. More than a handful have been covered here, the usual trip hop and down tempo stuff, as well as more off the beaten path artists like Two Lone Swordsmen. Throw on some of your favorite sneaking, gumshoe-esque tunes and dive in to the motion comic. It really paid off in the end. While it may be old hand in internet parlance, it still makes for a fun, gripping ride.

Vagrants Beware

Word. 

Alright, so I am a bit sheepish about the interference the other night. We're all human. To offer a make-up post on something awesome, may I suggest some light-hearted unwinding from the insanity that is the post-Black Friday shopping season? How about some intelligent and rewarding humor in the form of an online comic? Sound good? Yeah, you deserve a laugh. You deserve a look at Hark! A Vagrant! 

Drawn by Kate Beaton, Hark! A Vagrant is an online comic that plays to the high minded but never becomes as obtuse or inscrutable as, say, the New Yorker. Regular subjects include historical figures and classical literature, as well as the histories of Beaton's homeland, the fabled Canadas. It's hard to pin down exactly what she calls her sense of humor. Subjects and punch lines vary from strip to strip, but they cover everything from Nikola Tesla's frustrations with adoring female fans to Benjamin Franklin flying kites instead of signing the Declaration to Dude Watchin' with the Brontes. No matter the subject, though,Beaton approaches the comic with a human sensibility and down-to-earth language the is absurdly contradictory to the stuffy jumping off point. It's not crass (often) but more silly and sweet and irreverent. She takes unwieldy historical figures and makes them asinine buffoons or takes the stuffing out of our assumptions of antiquity. The idea for establishing time zones, for example, seems impossible to craft a joke from, yet Beaton does it with swift inanity that makes me smirk. Jane Austen's true motivations? Adorable. 

Not all is history-lesson fodder, though. Pop culture seeps through, as well. Her take on a crass and surly Wonder Woman are hilarious, as is her neurotic and concerned interpretation of Aquaman. Also hysterical and adorable - her drawings of a feral Wolverine and a look at how life is different with Brown Recluse Spider Man. My particular favorites of Beaton, though, are her interpretations of Nancy Drew cover illustrations. The expressionist humanism style on the books is distinctly post-WW II insanity, with clear artistic intentions despite the sub-par design. Using the illustrations as a jumping off point, Beaton takes inspired turns into the bizarre and disjointed world Nancy Drew must have been investigating. Her own artistic style is incredibly unique and charming, yet it almost makes the covers seem like a natural fit for inspiration. She gives similar irreverent treatment to old-timey book covers by Gorey, as well. 

Other notable comics on Hark! A Vagrant include her real-world take on Mystery Solving Teens, who, instead of solving the mystery at hand, just sulk and act like normal teenagers. It's a sublime dissection of ideal vs. reality. Also of note is her collection of strips about The Great Gatsby, which are not only incredibly funny but also nuanced and insightful views I hadn't necessarily been able to articulate about the famous story. 

I really can't say enough good things about Kate Beaton and her amazing writing and illustrations. It's intelligent. It's adorable. It's well drawn. It's a funny, fresh voice that hits a part of my funny bone that is rarely touched on. I think you should unwind and spend some time clicking through her site, or if you want to please the bookworm in your life - head over to her online store and pickup prints, shirts, mugs or collected strips. Online shopping is less stressful than any mall, we all know. Get a laugh and ditch the rat race. Read up! 

Mega Buster

If there's an upside to my cover coverage coming to an end, it's that I get to share more random, amazing things with you.

Take, for example, Dr. Wylie's recent amazing (and free!) EP, titled Wiggle. Packed full of robotic jams and off kilter beats, the EP shows what the DJ and producer hailing from Minneapolis is capable of when coming into his own. The collected tunes on file are a series of beats and songs that create a cohesive vibe, an artist who is really expressing a strong sense of identity with his sound. After getting familiarized with his sound through local artist Toussaint Morrison and his evermore impressive releases, I was pleasantly surprised to see that Dr. Wylie is compellingly capable of holding his own when stepping into the musical spotlight.

Wiggle is an EP whose roots are firmly planted in the world of electronics and videogames. The moniker alone should be enough of an indicator about his sensibilities. Dr. Wylie is the name of the antagonist roboticist extraordinaire in the seminal Mega Man series for the last 20-odd years. Both as an homage and namesake, our Wylie does the mad scientist proud with his electronic, robo-tinged sounds and samples. The opening tracks, 'GFGDGT' and 'Robot Love', show the artificial elements blending with natural melodies, creating a fresh hybrid sound. 'Favrit Flayvah' has enough twisted organic elements to allow the electronic samples to get loose and jazzy, aided by a just-barely-in-step piano and drum beat. 'Fear Is...' demonstrates the vibrancy and danger Wylie can harness in his equipment, full of low-slung buzzes and throbbing synths. 'Doris & The Machine' is full of snapping, head-whipping blasts of funk and fury. It sounds like breaking machines and malfunctioning droids. I love putting it on and watching the world around me lock into a rhythmic pocket. Built around a sample from Dr. Mario, 'Chill' is a fun, nostalgic banger that throws your ears out of whack. I love Wylie's rendition of folk staple 'Little Boxes' - here's hoping he gets his shot at opening an episode of Weeds.   

I love this EP - it feels, at its best moments, like party music from the not-too-distant future, or maybe a cocktail party hosted by Dr. Light. It's like our own, Minneapolis-bred version of Gorillaz, and I mean that in the most complimentary sense. Dr. Wylie creates these dense little audio worlds by himself, and in doing so establishes an undeniably unique presence in the scene. Keep an eye on him - he's only going to get crazier and build bigger, more dangerous sounds. 

Larger Universe

C-C-C-C-C-c-c-c-combo breaker!

Spooky Month perseveres but the inherently musical aspect of the week falls, leaving in its wake a hybrid of the spooky and the auditory. Today, instead of emphatically suggesting a song or album for the month of October, I implore you to look at one of my all time favorite podcasts, Mysterious Universe.

I've been listening to MU since its inception, I think. To be fair, it was back in 2006 and I may have been in that hazy, post collegiate phase in which days string together in a seamless fashion while you look for a job to serve as a stop gap before a career takes shape. The internet and podcasting were ascendant, becoming a legitimate cultural presence. I was filling the time not searching job postings by cleaning my apartment and listening to podcasts, distracting myself with the weekly shows. I was enamored with Mysterious Universe, a podcast "bringing you news of the strange and paranormal" that touched on a childhood fascination of mine. I was, I am sheepish to admit, fascinated with anything and everything relating to UFOs, Bigfoot, Cryptozoology and my personal favorite - the Loch Ness monster. As I got older, I studied Philosophy in college, which I've found was basically these same niche subjects, only as they manifest in the mind. Same person, same weird interests, only now it was internalized through logic and self-examination instead of books about Roswell. I still adored a good conspiracy theory, only now more as an intellectual exercise than a serious debate.

I loved having the podcast on while I puttered. I started to accumulate back episodes and would listen to them on long drives to see my parents. At some point I interrupted my internet service and when I finally got my old pc back online, I downloaded every episode of MU from iTunes that had been backlogged. I had a glut of content and I was in rapture. Host Benjamin Grundy, now accompanied by Aaron Wright, intoned with pleasant demeanor about the most outlandish stuff possible. Shadow People. Scientific anomalies. Possessions. Modern relics. Anything and everything you would expect from Art Bell, only without the sinking feeling that you were listening to an elderly relative ramble on about murky memories (not to slight Coast to Coast, but they had their share of out-there guests). Grundy and Wright often take their subject matter at face value, and I love them for it. It makes for an interesting broadcast, if only for entertainment's sake. They also include some phenomenal mood music to break up the broadcasts, creating a fantastic air of peculiarity to go with the subject matter.

That's the real thing here, for me. I know so much of what they cover has little or no basis in reality. It doesn't mean it can't give me a thrill. In fact, there have been quite a few nights in which sleep has eluded me that end in me having to turn off my old-format iPod for fear of never sleeping again - stories of the paranormal and bizarre keeping me up beyond when I should have otherwise drifted off to slumber. Back in the original spate of episodes there's a report of a n investigator who made audio recordings of what supposedly was a Sasquatch in the distance. More than once I awoke from a fresh nightmare at the sounds of mournful howling as episodes played in the night, a strange and chilling sound that I couldn't really identify as a known animal. I eventually had to edit that episode out.

 The point of all this is that if you want to give yourself the willies this Halloween season - listen to a few episodes of Mysterious Universe. There will undoubtedly be a mix of stories harvested from all over the world - some strange, some funny, some undeniably made up. Still, there is just that one story in the bunch that will make you reach for the pause button. Tell you what - download an episode this weekend and wait until it's late at night. Put one on and see if there's something in there that gives you the willies. Mission accomplished.

Club Killers

Back and forth, back and forth.


I could make justifications about music for getting down or just get down to business, so why don't I cut you some slack, huh?


I first wrote about Beachland back at the end of July. I was fresh off my honeymoon and in love with the world. Mostly just my better half, but also feeling that universal buzz of feeling all is right with the universe. Now, as Fall settles in and most Minnesotans get ready for The Dreaded Winter, the two of us are feeling the approaching malice of Old Man Winter. We want nothing to do with it, but have to live our lives in spite of it. We may not be able to do much more than crank up the thermostat and imbibe a bit to fight off the impending chill, but we can also toast the dear departed and celebrate with our friends and family in the face of shorter days and yawning nights. Its's appropriately timed with Halloween that I bring to you Horror Club!

Horror Club is a playlist by Nate LC that mixes the best of inescapably dance-able tracks with a hint of brooding, foreboding unease, a sense of the macabre and the morbid. It's a mix that kicks off in high gear, with Salem blasting out the mega-sized 'King Night', setting the tone for the rest of the mix. Flying Lotus tweak the ear just a bit, to keep you off kilter. Chromeo's 'I'm Not Contagious' adds to the dance flair with another added layer of dark, 'Thriller'-esque malice. It's a phenomenal track. Kanye's massive 'Monster' makes an appearance with guest spots by Jay-Z, Bon Iver and Nicki Minaj, of all odd pairings. It fits, but contributes more in bounce than it does in vibe. MGMT's 'Brian Eno' flips the equation on its head, throwing in tons of weird atmosphere with less fun and bounce, but a rocking and ultra-modern song none the less. The Black Keys do their damnedest with 'Too Afraid To Love You', an appropriately haunting tune. Skrillex does his best to melt our collective faces with the evil, funky 'Kill Everybody', almost doing so with the cut beats and snapped and twisted samples. It's one of the few times I feel acceptably old listening to club tracks. HEALTH make even the stiffest, whitest city kids feel hip and loose with 'USA BOYS', a stuttering, staccato track that opens up at just the right times . Sleep Over & Grillgrill ease us out of the madness, singing us to sleep with soothing, more ambient numbers that encourage coming down from the crazy dance sounds.

Look, I could go on and on for the rest of the night making fervent endorsements for this insane playlist of Spooky Month Music. Instead of doing that, I will just hit the integral facts - A) it's free B) it's spooky C) it jams. Straight up. This mix is insane and twisted and full of music you can download right now to get whatever business you claim to instigate on a Friday night going. I've already got it and enjoy the living end out of it. Do yourself a favor and download Horror Club now, before Nate LC pulls it. He's got great mixes for every season, so flip through his tumblr and see what's there. I'll sell you on more of his mixes when the season changes.

Clock Towers

Happy Weekend, kids!


How about something fun for the weekend? Something a little left of center to amuse you? You guys ever heard of Overclocked Remix? I love this site, both for the content and the concept. My neighbor in college told me about it, telling me if I had any love for video games at all, I simply had to check it out. At that point the site was already seven or eight years old. What I found there blew my mind.

Overclocked ReMix is ostensibly a place where artists take music from video games both new and old and reinterpret, remix and reconstitute it into amazing new works. The results are astounding. Name a game and its probably there. There are the heavy hitters of the video game world, like Final Fantasy VI or VII, which boast hundreds of respective remixes, or Earthbound, Chrono Trigger, anything Mega Man, Mario or Sonic related. There are thousands of high quality, mind blowingly original re-contextualizations of memorable music that will really make you step back and reevaluate the idea of music in gaming. The sheer volume of content hosted on the site is staggering - over 2,000 mixes by over 500 artists, all organized in searchable databases or listed by gaming platform.

This is something that you really owe it to yourself to check out, regardless of your stance on videogames - you may not care for them, but how can you deny that the music produced here is gorgeous? Not only does the source material vary widely, from pre-8 bit to modern symphonics, but so do the results - everything from techno and trance to thrash metal to jazz arrangements and classical compilations. Furthermore there are conceptual groupings and albums done by individual artists and the community as a whole. Entire soundtracks get re-worked and released for free as declarations of love for the games that spawned them. There's even a Youtube channel to flip through selections if you don't want to download anything.

Not only have the artists and members of the community received praise in print and across the web, they've received accolades and kudos from the originating artists themselves. The OC community always credits the source material and doesn't profit from the endeavor - this is all about love of the games. In the ultimate stamp of approval, the community was tasked with creating the official soundtrack for Street Fighter II HD Remix, a modern update of the classic fighting game, by the developers themselves. In fact the music for the game was one of the best received elements of the new game.


I adore this site. In the years since being turned on to it I've been consistently amazed at the work produced. It's made me really appreciate the music in games I love and better understand how the composers affect my experience. Old games I've loved have had new life breathed into them. Friends have loved music I've played for them, having no idea the songs originated from a 16 bit game. Normally they'd scoff and think me a geek. Instead they ask for a copy of it. I just want the world at large to know about this amazing community of artists and the crazy work they do. Give 'em  a look and see if your old favorites are there.

Bleeding Edge

Exclamations! 

We're still in the midst of Book Worm Week, just passing the halfway point. So where does that leave us? Which genre can we jump to next? In a convenient twist, Next is the book du jour, a startling and strange look ahead by the late, great Michael Crichton. 

It was a sad day in the literary world when he passed away - Crichton was fantastic. His books vacillated between science fiction thrillers to cutting edge techno-parables that fueled their pace with frantic and dire warnings of progress run amok. Like anyone alive during the 90s (except paleontologists) I loved Jurassic Park - even re-reading it on a plane ride during the first decade of the millennium I thought it aged pretty well. It's a great story. Crichton had this relentless energy and nerds-pushing-glasses-up-their-noses aggression that added a level of seriousness without pomp. In short, I really dug his work. So when my (eventual) mother-in-law happened to leave a copy of his last finished published work on their coffee table, I eagerly borrowed it and got down to business. What I read was an interesting if uneven tale that Crichton made accessible despite the jargon within. Since my last read of any of his works was about five years prior, I was pleasantly reminded of why I love his work. 

Next, published in 2006, is technically a novel about a loosely connected group of people in the genetic-research industry and the implications of their actions. In the same sense, though, the book functions more as a collection of interconnected vignettes about out-of-control and unchecked advances in the legal and ethical realm of scientists at the front of their field. Beginning with the tale of a man who loses the rights of ownership of his own cells (due to not understanding the language of a research waiver while being treated for a leukemia), Crichton begins spinning yarn after yarn about potential developments due to court-enabled precedents. The man loses the rights to his cells, which a university uses for research and eventually profit while barring him from any information, let alone profits. This ties in with a story of a geneticist who inadvertently creates transgenic specimens, one of which is a chimp that is blurring the lines of humanity in unnerving ways. Further concepts such as genetic predispositions to risk-taking and chimera genes are brought into the story as both plot points and parables. The collection of stories hold together well, but from my understanding Crichton wasn't aiming to do so - Next is intended as a single, cohesive novel and yet it comes across as segmented and uneven, some passages feeling too heavy handed to be legitimate fiction, while some fiction comes across as to much of a lecture to be engaging. Despite this uneven nature, I still enjoyed the book, if not for the diverse range of characters than for all of the startling and accurate developments in science and the legal system.

 One gets the sense, coming late to the Crichton party, that his books are not always read for their rich stories and characters but for the concepts and execution. I enjoyed reading Prey when it came out (Xmas of 2004) but I can't recall the characters. Similar story for The Lost World, save for Ian Malcolm. In fact, were it not for his science and adoration of boundary-pushing, would I have any inclination to read his books? Probably not. But that's neither here nor there. What really tickles my brain is that, having read this book just a few years after publishing, so much of it has come to pass that it becomes unnerving. We may not have full ownership of our bodies, given certain circumstances. Following a multitude of science and tech blogs (Hi Giz!) plus being obsessed with science fiction (Hellooooo io9!) I'm startled to read about the bizarre and incomprehensible discoveries and developments that occur on a daily basis. Just the other day I read about a lab that was creating a whole slew of transgenic animals and just wasn't telling anyone, just because they wanted to do it to see if it could be done (and supposedly what we can learn in the process). Or how we can cultivate bacteria to eat the oil in the Gulf or break down plastics in the Great Pacific Garbage Heap. Or everyone's favorite - the mouse with the ear grown on its back: 

Next is a bit of a hybrid itself - an imperfect development that spans multiple worlds. Crichton was a visionary, predicting both good and bad from this rapidly changing field - the main lesson to draw from it seems to be that we need to be judicious and cautious in our approach. It's not the most engaging story he's told (*coughcoughdinosaursrunningwildcoughcough*) but man, if it isn't crazy science. maybe I'm just a nerd who's suckered in by geeky subject matter and a pulpy story. Maybe I'm being to hard on a great author, now that he's gone. Tell you what - you read Next and weigh in. Am I a jerk or what? While we're doing homework, read these five summarizing conclusions Crichton made after writing this book:

Stop patenting genes.

Establish clear guidelines for the use of human tissues.

Pass laws to ensure that data about gene testing is made public.

Avoid bans on research.

Rescind the Bayh-Dole Act

...and read this critique on his reasoning, then weigh in. Test tomorrow. Okay, no test. It's Friday.

Beached Wail

You guys!

I once again come bearing the joy that is free and fantastic music!

After a hard couple of days of emotional and deeply introspective posts about neglect, let's look on the brighter side of things, both literally and figuratively. To be perfectly honest I was quite content to keep the subject of today's piece as private as possible, but it's hardly private at this point. Hell, I read about it on the Nerdist blog, which is hardly an obscure place these days, what with their awesome-sauce podcast and newly-minted TV show. Anyway, the site tipped me off to something I love, in concept and execution - the good ol' mixtape. Although I suppose at this point, technologically, such a thing is extinct. It's more of a playlist. But that just doesn't have the same ring, now, does it?

I digress.

The mix is titled Beachland. Put together by Nate LC and hosted on his tumblr Mixbox, the playlist (which I remind you IS FREE) is designed to be a phenomenal and utterly enjoyable summer mix. After making good use of it since I was tipped off back in...what, May?...wow...I can say with certainty that it is a great mix. The dude knows how to string tunes together, which on the surface sounds easy but is, in fact, quite an art. Described in a manner which I won't crib here, the mix is the perfect thing for your summer and I wanted to make sure anyone reading this got a fair shake at it before the season is gone (sorry Aussies and Kiwis, try back in a few months). 

Full of legitimately great tracks by a variety of artists, there's something for everyone here. Kicking off (and wrapping up) with some beach sounds, the mix rolls from one chilled-yet-sunny track to the next with a deft touch of talented mixing. 'Surfers Hymn' by Panda Bear is a superb choice to open the mix with its joyous, open structure. 1234 Jericho by Jamaica is one of the sunniest, clearly summer songs I've ever heard. That it's followed by the super-fun 'Houdini' by Foster The People only sweetens the deal. I know it's total teeny-bopper stuff but I can't get enough of Eliza Doolittle singing 'Pack Up' - it's become a summer standard in and of its own right. I'm constantly hearing 'Radio' by Raphael Saadiq on the Current these days, highlighting its relevance. There's even some Lonely Island for levity and thump, as well as a great, cheery rap number from my seckrit favorite Childish Gambino.

I love this mix for a whole slew of reasons. It's incredibly well constructed and one of many Nate LC has done. I have yet to spin through the Halloween mix, which I am forcing myself to wait for October to play, even if it kills me to do so. Head on over and get it while you can and while the sun still shines - it's great for whatever you've got going, I promise.

It's Free & Legal Entertainment

Do I really need to tell you this?


Dude, it's Saturday night and I have to tell you what's up?


Alright, well...here's the deal - I'm getting married and have little time. My DVR is handy but fills up too damn fast. Really, it's mostly full of shows preferred by my better half. While I have little free time to kick back, especially in the coming weeks, it is important that my time be consolidated and used wisely.

Basically this post is just a short little reminder to use Hulu while you can. I recall the confusion over their bizarre ad campaign featuring Alec Baldwin and jokes about aliens and the atrophy of brain cells. Here I am, years later, with a long-standing account with play-lists and subscribed shows despite having cable and Netflix. It's fantastic, in a word. I can't always catch stuff as it happens and often times forget to record shows in order. Hulu has my back. Not only that, its modern and up to date - basically the only way I found time to watch Fringe and SNL this year was through their presence on Hulu. Now that they have my two faves back (The Daily Show and The Colbert Report) I make even better use of the site. 

Honestly, it sounds like whoring and maybe it is, just a bit. But to be blunt, Hulu is awesome if you take advantage of it. It's free and incredibly convenient. Do yourself a favor and peruse the sheer volume of shows they have on tap before the pay wall becomes larger and more enforced. I'll see you, along with a more fleshed out post, tomorrow. Happy Saturday Night Viewings, kids.

Product Placement

Word.


Saturday.


Memorial Day Weekend.


Forgive the brevity of the post, there's been life and wedding planning intervening in my writing schedule. That's not an excuse of any kind, just insight into my world.


You might know that last week I spent the better part of 1000 words extolling the virtues of Galaxy Farm and the music they make. Additionally I made it perfectly clear that I have a relative in the band, which should not (but probably does) affect my objectivity. Today, for Movie Week, I thought "The hell with objectivity" and decided to spread the good word about something I took part in two summers ago. That something?


Wasted On The Young.


Set in the Twin Cities, the movie was written and produced by some of my closest friends, including (but not limited to): Evan Drolet Cook, Riley Lang and Joseph Voelbel. Starring lots of local fresh faces and veterans of the industry, the movie is essentially about a group of young 20-somethings over the course of a summer and the effect that one of the friends learning to drive has on the entire group. It also features a small role played by me, in my limited capacity as an actor. Having seen snippets of the film, I can tell you that I expect great things from it, as it proves to be damn funny and even, dare I say, touching at times. Yes, I do dare say it. But it's the good kind of touching, not the bad kind your parents warned you about.

Here's the best part - not only can you see the trailer for Wasted On The Young here, you can buy some of the few remaining tickets to the premier at Trylon Microcinema June 1st and 2nd here. Unfortunately both 7pm shows are completely sold out, but there are a few left for the 9pm showings. Even better, if you can't make it to one of the theatrical showings, the movie will be available on the website for downloading DIRECTLY TO YOUR COMPUTER FOR HOME-VIEWING for a mere 99 cents! How bananas is that? I think that's a hell of a deal for a locally made movie.

Do yourself a favor and get on board the Wasted On The Young bandwagon before buzz catches on and you're the last to see it. I guarantee you'll find something to laugh at, even if it's something so simple as a movie being shot entirely on VHS. You heard me right.


See it. Live it. Love it.


BYOB.

Unwind/Rewind

Hey there.


Had a bachelor party last night. Had a bit too much fun. Spent the day nursing just a bit of a hangover. As such, there was little time for productivity. I promise there will be a better post tomorrow, but for tonight it'll be short and sweet.


Not everyone is into Netflix, be it whatever reason. I don't know why, its fantastic. But if its not cost stopping you and you still wanna see some great documentaries for free, head on over to FreeDocumentaries.org. They're a legit, free and excellent quality. The great site is an awesome resource for watching interesting docs when you don't want to shell out for a subscription to the big red behemoth. Don't get me wrong - I love Netflix but not everyone can be contractually bound to their services. We're in a recession, people! They host tons of docs on a variety of subjects with some big names making appearances, like the works of Morgan Spurlock and Michael Moore. If you're in the mood for a movie and want to learn a bit without spending a bunch, do yourself a favor and head over to their site. If you really dig what they do, make a donation and help keep the cause going.

Like I said, just a short bit as I recuperate today. Tomorrow - back at it with a post that goes all the way back to the beginning of this blog! Stay tuned to find out!

Web Slinger

Friday, kids. Good gawd.


Took long enough to get here. It's quickly become patio weather here in MPLS and I've even seen more than a share of kids rocking the shorts already, despite the fact it's only 60 at the moment. Considering how cold out it was just 10 days ago, though, I'll allow it. Myself, I can never wear shorts. Just don't care for them, plain and simple. I know that sounds nuts. But that's me, not you. You should enjoy short pants all you want. You should also enjoy your Friday night. If, like me, you're still shaking off the grip of a nasty little virus, you might not be out and tearing it up tonight. That's just fine, I dig. To improve your Friday night entertainment options take a look at this collection of posts I wrote about online content. I put online content in your online content so your online content will...never mind. Just peruse at your leisure.


Webcomics galore - A series of absurd and hysterical webcomics, all highly respected.
Nerdist - The best podcast also has a fantastic site now! Go and see!
Gamespite - A repository for retro/2D gaming with a great community to boot.
The Ricky Gervais Show - Also available in podcast form. Witness the insight of Karl Pilkington.
WTF With Marc Maron - An amazing series of interviews with the best, most notorious comedians alive today.
Nostalgia Critic - Tearing apart the best and worst of your childhood entertainment
Think Geek - Coolest shop I've been on.


I think between these posts you should be able to find something funny or insightful to help you relax and unwind this weekend. Take a look and enjoy coasting into Saturday.

Sunday Evening Post

Yeah, yeah, yeah.


Sunday evening and I have nothing.


Another week has come to a close with spring seemingly no closer. It's a load of crap! Next week, though. Next week it gets warmer. I can feel it.


In lieu of genuine content I present you one of my favorite online shops - the eccentricity and brilliance that is Think Geek. Described as Stuff for Smart Masses, the site is a repository for all things nerdy and brilliantly designed. You name it, they got it - detachable joystick for your iPad? Check. Bad Robot Statue? Check. Combination NES/SNES player with controller? Check. Vinturi Wine Aerator that I wrote about two months ago? Check.

The site is a geek's haven for all things gadget related. There are tons of products for the kitchen, your home office and your car. There are even decals to turn your child's (or your own) room into the first level of Super Mario Bros. or Donkey Kong.  There are great deals on nerdy clothing, as well. Hoodies with hidden pockets and lines for headphones are a highlight, as is my personal favorite - the 8-bit tie. 

I know it's not much of an update, but I just wanted to put the love out there for the site and all the awesome products they have. I'll be back tomorrow with a proper update but I wanted to make sure there was an awesome thing posted for the day. Head over to their site and see what's available.  I guarantee if you look around you'll find something you can't live with out!

Local Rappers Understand Internet

Happy Friday. 

Another week down. Still cold, still Minnesota in spring. 

After the week long Doomtree Diatribe I thought I would stick to the same genre, if switching gears only slightly. While it's not Doomtree, it is more excellent music from Minneapolis, namely the legendary rap group that is Atmosphere and a free bit of genius they put out that deserves a little attention. While the back story to what I'm going to write about is simply too involved and detailed to belabor you with in a single post, I'll try to summarize as best I can if you're not familiar with Atmosphere and the corollary Rhymesayers Entertainment. So here goes... 

Slug, real name Sean Daley, formed a rap group called Urban Atmosphere in the mid-to-late 90s. Through its various permutations and name changes, the only members to stay together were rapper Slug and producer/turntablist Ant (Anthony Davis). After the release of the first official Atmosphere album, the only other member at the time, Spawn, left the group. This album, Overcast!, established their sound and put them on the map as a legit rap group from Minnesota. The release of progressively better and wider reaching albums (Lucy Ford, God Loves Ugly, Seven's Travels) saw them increasing their stamp on the local music scene as well as gaining recognition on a national level. Rhymesayers Entertainment, what is considered to be the most significant musical presence in MN (Prince excluded), was founded early after the group's formation, due to the frustrations Atmosphere and fellow musicians Brent Sayers and Musab  Saad were experiencing with studios. The four partners established their label became the imprint through which Midwest hip hop would make its presence felt. 

At this point (2005) Atmosphere released their fifth album, You Can't Imagine How Much Fun We're Having, and Rhymesayers had gained enough steam to not only have their own shop in Uptown but national distribution and critical appreciation for their artists. The two were institutions of the city - for someone like myself, who entered college at the turn of the century, it seems like they've always been around. It seems I can't paint a serious enough picture to give credit to the accomplishments these connected entities have made. Point is, they were intertwined and doing really, really well. Releasing albums and EPs at a seemingly breakneck pace, Atmosphere was certainly a prolific group. Imagine our surprise, then, when this gifted duo put out a free album of new tracks for online distribution. 

Titled Strictly Leakage, the album was a savvy move on Atmosphere's part. Unlike other artists that shall remain nameless, this was not some one-off, blow off some steam in the studio affair. Nor was it just old demos that had been unfit for other projects. No, this was a brand new album with freshly written tracks, any one of them sounding right at home in the expansive Atmosphere catalog. Rhymesayers deserves just as much credit for this move - they were not only putting out an album that was fantastic but ahead of the curve. They'd seen what direction the wind was blowing, that people don't buy albums much these days, let alone a hard-copy CD. They were aware of the massive amounts of piracy going on, so why not cut out the middle man and just offer the content themselves. After all, how many of us, in the heady, Wild West days of Napster, downloaded horrible, millionth generation mp3s that sounded like tin can rips? By offering their own content with high quality files Rhymesayers proved to their audience and the internet that they understood how the game was changing. Smart people. 

The album itself, complete with new artwork and all that, is great. It feels like a legit rap album, just more of Atmosphere doing their thing. 'YGM' opens the album with anthemic, old school horn samples and Slug rapping "This is Sean & Ant's day, yours is on the floor with your permanent mad face." 'Little Math You' has Slug defending the suburban crowd, extemporizing on how the passion for the rap game exists within the person, regardless of geographic origin. One of my favorite cuts on the album is also the shortest. Clocking in a just over a minute and a half, 'Jewelry' is a goofy, funky exercise in Slug reminiscing while maintaining his braggadocio about "rocking some moon boots" doing the MC Hammer pants and doing the flashdance. It's weird and awesome at the same time. 'Crewed Up' has some of the best from Rhymesayers making appearances and spitting verses at each other, including heavy hitters Brother Ali, Toki Wright and Mujah Messiah. 'Domestic Dog' sees Slug in his observant/writer's style, musing about having to pick up women at the grocery store these days. It's kinda funny, in a harmless way.

While the songs may not be the absolute best the duo have released, they're still great, dance-able tracks. The album is great for summer barbecues; it has a great positive vibe, veering slightly away from Atmosphere's introspective or bleak canon. What really gets me though, is the method of distribution - years later, its still hosted on the Rhymesayers site. Head on over and pick it up to see what you missed the first time around.

More Childish Antics

Welcome back!


So a few weeks ago I wrote about how amazing the music of Donald Glover is, his rapping and remixes under the moniker Childish Gambino. Read it here, where I break down his style, free album and mixtapes, which have come pretty rapidly over the last 18 months. A few months ago he announced an EP he was working on. Well today is our lucky day, as he put it online for free this morning! It's definitely NSFW, though, so be warned as we press on. Just turn down your speakers if you're at work, right?

The EP, a short but brightly burning five tracks, is a great example of how Glover's talent and drive is pushing him further with each offering. Here he sounds even more vibrant and intensely driven. The opener, though, is another example of how his singing has only gotten better. Titled 'Be Alone', it sums up perfectly what Glover is going for - a mix of soulful crooning, heavy beats under his raps all layered over indie samples. His high and light singing is impressive, too - few dudes can pull off a melody in that range without sacrificing power. 'Be Alone' and the next track, 'Freaks and Geeks', were both early leaks off the EP, with the latter even getting the video treatment. In it, Glover bounces and zips across the frame, full of swagger and flow. He's going full bore here with a great beat that feels lush and organic with strings. It was an obvious choice for the single treatment. The leveling-up shows is consistent through the whole release - the next song, 'My Shine', shows that same increase in consistency. Glover is singing his own hooks, rapping with more ferocity and showing more fluidity in his rhymes. 'Lights Turned On' focuses (obviously) on his love life, a common theme for him, but I can hardly fault him for enjoying his status as a ladies man. The song is a tour de force - seriously, the production on these tracks is a sea change from his album, Culdesac, and that was no weak effort. I think what happened is he had a chance to really give these songs love and work them until perfect, now having a full album and a series of mixtapes in his ouvre. Dude's just gotten better. Honestly, what it feels like here is Glover is the equivalent of Kanye West not being so egocentric and just releasing his work for free. I love it that much and he loves just putting it out there.

I know I'm gushing all over the place about this EP but I think the dude's doing great work. On top of it, he's doing it for free. He's clearly talented and has already seen great success, like he - he was writing for 30 Rock when he was under 25. How do you get that gig at that age, then go on to kill it every week on the equally amazing Community, then oh-for-the-hell-of-it just start a great and FREE music career? Not fair. Anyway, download his latest release and check out his blog. Dude's amazing.


See you tomorrow!