What's up, gang?
So tomorrow is the big day. We move out after four years in the same condo in Uptown. As crazy excited as I am for this new adventure to start, I'm also feeling the natural amount of saudade over closing this amazing chapter. As we've finished the packing process and started processing the emotions, something has become apparent - I listen to a lot of down beat or melancholic music. Anything I played while packing the last of our boxes mad me too sad to press on. Instead of some contemplative trip hop or ambient mood music I had to resort to some more energetic music. Not wanting to go full-on optimist (given the situation) I ended up stumbling over a phenomenal song that still sounds great - 'Criminal' by Fiona Apple.
I wrote about Apple and her sophomore album a while back. I stand by my assertions about taking her at face value and embracing her passion. None of that would have been asserted without her amazing, passionate debut album Tidal. Jumping right onto the charts with 'Shadowboxer', Apple was a firebrand at a young age. When her video for 'Criminal' came out though, more attention was paid to the scandalous video than the superb song. Too bad, cause the song was tops. The video was part of a weird wave that was occurring in the mid 90s that seemed to anchor around the suggested exploitation of young women. Seedy settings and trappings. Scantily clad, scrawny young women with sunken cheek bones. It was a weird kind of bummer, seeing it so embraced by the media and pop culture. Thank goodness that's all changed, right? Well, it certainly is understandable then, why Fiona Apple got so pissed at the VMAs that year. What I'm saying is forget the video, just listen to the song.
'Criminal' is a dangerous, malicious and self-loathing burner of a pop song. Apple had channeled something fierce inside of her when she wrote this song. Opening with the unnerving adult confession "I've been a bad, bad girl, I've been careless with a delicate man," Apple goes on to exorcise her emotional demons in the most satisfying way. She unleashes her guilt and anguish in a sublime, slinking piano piece. Her low, angry voice is strong and firm even when she floats into a gorgeous higher register she rarely taps into. It's a song with some verve and menace, a little swing to the punch. Basically she was as dangerous as we thought she was safe. We had her all wrong with that vapid video.
Forget the exploitative white noise of the video. I don't even like linking to it, save the fact that it hosts the actual tune. Apple is still a bad ass, she's just not as out in the fore-front of the noise brigade. She's still making her music, you just don't see weird videos without the medium of MTV to facilitate the bad mojo. Give an ear to her tunes and see how you can feel the passion coming through. It shot me out of the saudade of moving out. Lord knows what I'll have to listen to when I drive away for the last time.
So tomorrow is the big day. We move out after four years in the same condo in Uptown. As crazy excited as I am for this new adventure to start, I'm also feeling the natural amount of saudade over closing this amazing chapter. As we've finished the packing process and started processing the emotions, something has become apparent - I listen to a lot of down beat or melancholic music. Anything I played while packing the last of our boxes mad me too sad to press on. Instead of some contemplative trip hop or ambient mood music I had to resort to some more energetic music. Not wanting to go full-on optimist (given the situation) I ended up stumbling over a phenomenal song that still sounds great - 'Criminal' by Fiona Apple.
I wrote about Apple and her sophomore album a while back. I stand by my assertions about taking her at face value and embracing her passion. None of that would have been asserted without her amazing, passionate debut album Tidal. Jumping right onto the charts with 'Shadowboxer', Apple was a firebrand at a young age. When her video for 'Criminal' came out though, more attention was paid to the scandalous video than the superb song. Too bad, cause the song was tops. The video was part of a weird wave that was occurring in the mid 90s that seemed to anchor around the suggested exploitation of young women. Seedy settings and trappings. Scantily clad, scrawny young women with sunken cheek bones. It was a weird kind of bummer, seeing it so embraced by the media and pop culture. Thank goodness that's all changed, right? Well, it certainly is understandable then, why Fiona Apple got so pissed at the VMAs that year. What I'm saying is forget the video, just listen to the song.
'Criminal' is a dangerous, malicious and self-loathing burner of a pop song. Apple had channeled something fierce inside of her when she wrote this song. Opening with the unnerving adult confession "I've been a bad, bad girl, I've been careless with a delicate man," Apple goes on to exorcise her emotional demons in the most satisfying way. She unleashes her guilt and anguish in a sublime, slinking piano piece. Her low, angry voice is strong and firm even when she floats into a gorgeous higher register she rarely taps into. It's a song with some verve and menace, a little swing to the punch. Basically she was as dangerous as we thought she was safe. We had her all wrong with that vapid video.
Forget the exploitative white noise of the video. I don't even like linking to it, save the fact that it hosts the actual tune. Apple is still a bad ass, she's just not as out in the fore-front of the noise brigade. She's still making her music, you just don't see weird videos without the medium of MTV to facilitate the bad mojo. Give an ear to her tunes and see how you can feel the passion coming through. It shot me out of the saudade of moving out. Lord knows what I'll have to listen to when I drive away for the last time.