11.18.2011

Maximize

Look, I'm not even going to beat around the bush on this one.


You need to listen to Tricky's first release, Maxinquaye. It not only is a sublime standard among the field of trip hop and a defining album of the Bristol sound, it's simply fantastic and still holds up just as well today as it did when it was released a decade and a half ago.
Tricky was one of those musical acts I would always see photos of in the copies of SPIN and Rolling Stone back in the 90s, when I had no access to anything beyond terrestrial radio and MTV. I was always intrigued by what I saw and read, but I had no context. The curse of being born just a decade too early, right? What misery! Spoiled self-pity aside, I picked up his first release after falling in love with trip hop through fellow Brits, Portishead. It was one of those moments where you realize you had been missing out on something very kindred and relevant for years, only to kick yourself when you finally catch up. 
Maxinquaye, named for his late mother Maxine Quaye, was released in 1995. Featuring light and vaporous vocals from a then-young Martin Topley-Bird, the album is a work that sneaks in like a cat. You barely register the sounds as they creep into your ears, but within minutes it calls your head its home. The little moments and hidden corners absolutely make this album as amazing as it is commonly held to be. It's the kind of music that seems to grow before your ears, the sounds rising like tendrils from cracks in the floors and walls. Burbling notes in the refrain of 'Overcome' create a soft, murky world to get lost in. 'Ponderosa' is a slinky, weird little bit of music that makes you twitch and bob subconsciously. Uptempo numbers like 'Black Steel' maintain this same mysterious quality despite the pace and added distroted guitars. Tricky's smirking vocals on 'Hell Is Around The Corner' codify what we're getting here - it's a touch ominous, a bit playful, yet deadly serious in delivery.
Maxinquaye is one of those timeless albums, a touchstone that everyone should be able to pinpoint where it puts them in their life. It has a feel to it that is so alluring and dangerous that its appeal persists through modernity. You want some sexy music for a private get together? Done. You want a slinking soundtrack to secretive errands at night? Done. You name it, this album fits the bill. Listen to it now, for the first time or the hundredth time. See if I'm wrong.