Welcome back!
I figure if you're reading this you probably watched the Oscars. The Venn Diagram was most likely pretty close together on that. Maybe I'm being presumptuous, but who knows? Regardless, I'm in a movie mood. Makes sense, right? Either way it bears repeating: Moon is a fantastic movie. It deserved accolades in 2009 and absolutely warrants repeated viewing today. I mentioned it the other day when posting about Max Tannone's awesome soundtrack mash-up based on the idea.
Directed by Duncan Jones (or Zowie Bowie, if that helps) and starring the always-interesting Sam Rockwell, Moon is, as I have previously written, a sad and quiet film, full of poignant and melancholy moments. It's the lonely, heart-rending tale of Sam Bell, the sole Helium-3 miner on the surface of the moon, accompanied only by computer A.I. GERTY, voiced by Kevin Spacey. GERTY, by the way, is a wonderful companion piece to Sam, in a delicious homage to Kubrick's 2001. Sam is responsible for overseeing the operation on his lonely outpost in our near-future, manning the station all alone.
Mostly alone.
During a seemingly routine day, Sam ventures out into the lunar landscape to check on potential problems and stumbles across a wrecked vehicle. Like any sane person, Sam brings this mysterious stranger back to the station, where he makes a disturbing and disorienting discovery - it's him. Sam is faced with Sam. No answers, immediately. I was quite perplexed on my initial viewing of the movie - Sam is faced with himself and hardly seems to question the situation. What happens from there, though, is both wonderful and tragic. Working through the context with GERTY's assistance, Sam begins to piece together just what strange business is afoot on the lunar surface. I won't go any farther into the details, to save your own discovery of an amazingly intelligent piece of honest-to-goodness Science Fiction, more Bradbury than Transformers. These days it seems if you hear the term Sci-Fi it inevitably means huge robots fighting each other or some terrible, bottom of the barrel guilty-pleasure schlock. Moon, in contrast, is a breath of fresh air. It's so smart and subtle. You really have to see it in action to appreciate the understated beauty of the film. It received it's share of accolades upon its initial release and currently holds a 90% fresh rating on Rotten Tomatoes, if that's any help.
Moon is fantastic in every sense of the word. It's touching and human, grounded and out of this world. It had a small theatrical release in 2009 with high praise, yet little wide-spread appeal. Since then it's gained steam and reputation from its excellent production and heart. I really do love this movie and feel that if you have any patience for science in your movies you really should give it a fair shake. Netflix, Redbox, Itunes - however you can, dig up this hidden gem and see what can happen on the surface of the moon that can move you. It's wonderful.
I figure if you're reading this you probably watched the Oscars. The Venn Diagram was most likely pretty close together on that. Maybe I'm being presumptuous, but who knows? Regardless, I'm in a movie mood. Makes sense, right? Either way it bears repeating: Moon is a fantastic movie. It deserved accolades in 2009 and absolutely warrants repeated viewing today. I mentioned it the other day when posting about Max Tannone's awesome soundtrack mash-up based on the idea.
Directed by Duncan Jones (or Zowie Bowie, if that helps) and starring the always-interesting Sam Rockwell, Moon is, as I have previously written, a sad and quiet film, full of poignant and melancholy moments. It's the lonely, heart-rending tale of Sam Bell, the sole Helium-3 miner on the surface of the moon, accompanied only by computer A.I. GERTY, voiced by Kevin Spacey. GERTY, by the way, is a wonderful companion piece to Sam, in a delicious homage to Kubrick's 2001. Sam is responsible for overseeing the operation on his lonely outpost in our near-future, manning the station all alone.
Mostly alone.
During a seemingly routine day, Sam ventures out into the lunar landscape to check on potential problems and stumbles across a wrecked vehicle. Like any sane person, Sam brings this mysterious stranger back to the station, where he makes a disturbing and disorienting discovery - it's him. Sam is faced with Sam. No answers, immediately. I was quite perplexed on my initial viewing of the movie - Sam is faced with himself and hardly seems to question the situation. What happens from there, though, is both wonderful and tragic. Working through the context with GERTY's assistance, Sam begins to piece together just what strange business is afoot on the lunar surface. I won't go any farther into the details, to save your own discovery of an amazingly intelligent piece of honest-to-goodness Science Fiction, more Bradbury than Transformers. These days it seems if you hear the term Sci-Fi it inevitably means huge robots fighting each other or some terrible, bottom of the barrel guilty-pleasure schlock. Moon, in contrast, is a breath of fresh air. It's so smart and subtle. You really have to see it in action to appreciate the understated beauty of the film. It received it's share of accolades upon its initial release and currently holds a 90% fresh rating on Rotten Tomatoes, if that's any help.
